New paintings by Florian Meisenberg, exclusively featured on markusheidingsfelder.de.
Christian Hellmich’s upcoming soloshow in Frankfurt.
Vernissage 22. März 2019, 19 Uhr
22. März – 4. Mai 2019
Fahrgasse 1560311 Frankfurt a.M.
The first Berlin screening of Christian’s new film “Desert of the Real” (edit: Halina Daugird) will take place in Berlin’s Acud Kino on Thursday Feb 21 at 9pm: https://acudkino.de/Programm/desert_of_the_real/15938. Christian and Halina will be there for a Q & A.
Two days later on Feb 23 5 pm the film will also screen in London’s Zabludovicz Collection: https://www.zabludowiczcollection.com/events/view/screening-prison-images-desert-of-the-real
His AI generated music – a world premiere of this type of symphonic music – will be released on Vinyl. Drop party at Christian’s place in Berlin, Tuesday March 19 8 pm.
The music will be part of the soundtrack for his new film.
The CHK journal on ‘media effects’, guest-edited by Steffen Roth and me, with articles by Dirk Baecker, Peter Fuchs, Urs Stäheli, Achim Brosziewski and Jan Fuhse, is now up in the WWW: http://chkjournal.com/node/305. Enjoy!
Illustration: Florian Meisenberg, Sketchbook page (2015)
Call for participation in a paper development workshop on “NOR. Reverse engineering the Laws of Form” (3-4 June 2019 in Dubrovnik)
- Steffen Roth, La Rochelle Business School, France, and Yerevan State University, Armenia*
- Markus Heidingsfelder, Xiamen University Malaysia
- Lars Clausen, University College Lillebælt, Denmark, and University of Flensburg, Germany*
- Klaus Brønd Laursen, Aarhus University, Denmark
Purpose: Participants in the workshop will brainstorm and discuss ideas as well as co-develop papers on an unpublished manuscript by George Spencer Brown.
Date and venue: 3-4 June 2019, Inter-University Center Dubrovnik, Don Frana Bulića 4, HR-20000 Dubrovnik, Croatia.
Registration deadline: 3 March 2019. Applications are via email to the corresponding co-organizers* and ought to include a brief CV and statement of interest in the PDW. We particularly look forward to hearing from colleagues with backgrounds in engineering, information science, mathematics, logics, and philosophy. Friends and colleagues with backgrounds in social sciences or humanities are more than welcome to join us in this venture, too.
It is anticipated that ideas developed in the workshop will transform into submissions to a special issue published in a S/SCI-listed journal. Participants are furthermore kindly invited to consider combined participations in precedent and subsequent events @Inter-University Center Dubrovnik such as the conference on Political communication: Observed with Niklas Luhmann’s systems theory (29-31 May 2019) and the 18th International Social Theory Consortium Conference (5-7 June 2019).
Image: Markus Heidingsfelder, Screen shot (2013)
Kompakt’s next Pop Ambient compilation, curated by Wolfgang Voigt, comes out on November 30th, 2018. My friend Yui Onodera, who’s working on the soundtrack of the cage I’m currently producing, has also contributed a track.
Here’s Voigt’s statement: “When a record label thrives after 25 years thanks to a focus of what was expected to be a short-lived music phenomenon called techno, then it stands to prove two things; that techno has taken its place amongst ‘serious’ genres. KOMPAKT has never been only for techno, but stands as a broad-minded entity that has set out to cross-pollinatewithin the realm of electronic music. Through its course, KOMPAKT has sent all kinds of sub-genres, and crossover adventures based on the non-negotiable 4/4 beat around the world. The 100% kick drum-free Pop Ambient series is the most endearing and enduring concept that I have had the pleasure to curate. I felt there was a strong need to add a certain elegance — ensouled by discourse as much as hedonism — to a sound that was recognized as ‘chill out’ music that could be heard in back rooms and forgotten festival areas. Over the years, I like to imagine that Pop Ambient has crystallized into musical universe of its own. I put together this year’s edition by plowing through an ocean of sonic jewelry from all over the world. For this special edition, I create a homogenous experience that would both appeal to our followers and continue our tradition while integrating new micro-facets from neighboring musical universes as much as possible. The headline ‘Ambient’ might sound a little too humble but it still helps as a necessary means of orientation in the best possible sense. Same goes for another dear tradition: Veronika Unland’s abstract-floral cover design that keeps on pleasing our sore eyes year after year. Although every Pop Ambient edition doesn’t shy away from diving into the relevant question of ‘What is contemporary discourse music’, in the end it boils down to that elevated moment where all theory dissolves into ambient air, into a higher state of cosmic bliss. Pop Ambient is sacral music for non-believers.”
A1 Thore Pfeiffer – Alles Wird
A2 Coupler – A Plain Of
A3 The Black Frame – The Uncertainty Principle
B1 Kenneth James Gibson – Gone Too Soon
B2 Morgen Wurde – Schien Immer feat. Maria Estrella
C1 Gregor Schwellenbach – Rot 2
C2 Last Train To Brooklyn – Bluebird
C3 Max Würden feat. Luis Reichard – Zweitens
C4 Thomas Fehlmann – Karenina
D1 Leandro Fresco – Araña De Vidrio
D2 Yui Onodera – Cromo 3
D3 Triola – Adren
D4 Max Würden – Core
Place: International University Centre (IUC), Dubrovnik, Croatia
Address: Don Frana Bulicá 4 HR – 20000 Dubrovnik, Croatia
Dates: May 29th –31th, 2019
Theme: The conference committee invites contributions, which analyse and discuss political communication based on Niklas Luhmann’s perspective on systems theory. The overall theme of the conference is to promote a better understanding of how political communication codes various areas of contemporary society.
We welcome contributions from scholars who practice and study political communication at all levels of society. The conference is relevant for theoretical and empirical studies in politics, aesthetics, sociology, theology, history, economics, health, psychology, ecology and organization. Contributions are not limited to studies focusing solely on political systems, but may also include politically coded communication in other areas of society. Analytically, systems theory is empirically open. As it turns out, new semantics, different codes, and changing forms transform and develop structures at varying and opposed levels. As such, contributions could, for example, focus on how the media of power is formed; how the code government/opposition informs communication; how double contingency is handled within politically coded communication; which paradoxes emerge in conjunction with political coding and how they unfold. The conference aims to gather scholars working with theoretical and methodological clarifications, as well as empirical studies. Furthermore, contributions are welcome that compare or combine system analysis with other forms of analysis or aim at developing systems theory by including thoughts from other traditions (e.g. Foucault, Bourdieu, Deleuze, analysis of discourse, ANT, STS).
Abstracts of no more than 400 – 800 words should be send to the conference organisers by March 1, 2019 – full papers should be circulated prior to the conference.
Klaus Laursen, Aarhus University, Denmark firstname.lastname@example.org
Steffen Roth, La Rochelle Business School/Yerevan State University, France email@example.com
Markus Heidingsfelder, Xiamen University Malaysia, firstname.lastname@example.org
Gorm Harste, Aarhus University, Denmark
Gina Atzeni, Ludwig Maximilians University of Munich, Germany